Rolling stone flood album review2/23/2023 ![]() Goodall is the lone expert weighing in, and the effect is intimate and conspiratorial. ![]() News footage is used sparingly, and no talking heads appear to give their take on the album or song’s impact. READ MORE: PBS Will Likely Survive, But Trump’s Proposal Hits Stations Servicing His Own Rural Supporters the Hardest Understanding that its sophisticated audience has a range of knowledge, yet not overly dumbing ideas down creates an effective connection with the viewer. Kite” and what a modal melody brought to “She’s Leaving Home.” Throwing around words like Mellotron, polyphony, “teen taal” and more, Goodall gives the barest of definitions but doesn’t get bogged down with over-explaining terminology, preferring to demonstrate the concepts. The film demystifies certain techniques, such as how Lennon sounded younger on “Lucy in the Sky with Diamonds, “ the use of aleatoric composition with a 40-piece orchestra, how Henry the Horse got his waltz on “Being for the Benefit of Mr. Credit goes to Goodall and the writers for the clarity by which he’s able to impart every morsel of information, whether it’s through visual aids or musical demonstrations to isolate specific parts of the composition. But then comes the fascinating deep dive into the technical side of the song itself. Pepper’s Musical Revolution”įor each of the seven songs, the film creates capsule lessons in which Goodall traces the origins of the song’s narrative and some other related history. Pepper’s” will include them as bonus tracks. ![]() Fortunately, the documentary puts proper emphasis on these two songs retroactively, much like how special remixes or deluxe editions of “Sgt. Pepper’s” and carry many of its themes - such as childhood - and innovative techniques. Nevertheless, both songs are part of the DNA of “Sgt. This goal gave impetus to some of the craziest, most difficult and wide-ranging recording techniques used to make an album ever at the time.Īs diehard Beatlemaniacs know, neither “Strawberry Fields Forever” nor “Penny Lane” were included on the original release of the album, but were instead released as a double A-side in advance of the LP. After taking a few months to decompress and recharge, they went back to the studio to create an album with songs so intricately and artfully produced, composed and arranged that there would be no way to perform them fully live. Tired of performances that suffered as a result of too-loud, circus-like concerts, the band quit touring permanently in 1966. This year, it was reworked from scratch - crowd-sourced from more than 300 critics, music industry professionals and artists, including Taylor Swift, U2's The Edge, Ben Harper, Wu-Tang Clan's Raekwon and many more.The Beatles, “Sgt. The list, the most widely read piece in the magazine's history, was last published in 2003 and was slightly updated in 2012. The list itself, with fewer guitar acts and fewer Beatles albums in the top end than in earlier versions, also shows how, in art, the definition of "great" refuses to sit still. That Cross has largely been excised from the canon of popular music - while he later won an Oscar for original song, he never repeated his initial commercial success - tells you something about the flippant nature of music taste. ( Reuters: Ralph Orlowski )īut this week, when Rolling Stone magazine published an updated list of The 500 Greatest Albums of All Time, Cross' name did not appear. Christopher Cross never repeated the success he had early in his career. ![]()
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